Preziosi's latest collection of essays, including a critical commentary by Lamoureux, suggests multiple interpretations and hidden resonances in each text, opening up alternatives to contemporary discourses on art history and visual culture.
Publisher: Routledge
Publication Place: UK
Publication Year: 2005-12-01
Language: English
Number of Pages: 184
Edition: 1
Series: Critical Voices in Art, Theory and Culture
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond th..
This book investigates the perception and appropriation of places across intervals of time and culture. The main focus is on bringing together fresh e..
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond th..
In recent years the intersections between art history and archaeology have become the focus of critical analysis by both disciplines. Contemporary scu..
The institution of the pantheon has come a long way from its classical origins. Invented to describe a temple dedicated to many deities, the term late..
The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc ..
Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key met..
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often ov..
Prints and drawings have been keenly collected in the west since at least the early sixteenth century. Relatively modest in price, they offered artist..
Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Ph..
William Reid Dick (1878-1961) was one of a generation of British sculptors air-brushed out of art history by the modernist critics of the late twentie..
The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc ..