The Routledge Companion to Medieval Iconography

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Gestures of Seeing in Film, Video and Drawing

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The complex gestures of artwork remain an under-explored theoretical topos in contemporary visual culture studies. In In this volume, contributors as..

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On Not Looking

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Sense and the Senses in Early Modern Art and Cultural Practice

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Employing a wide range of approaches from various disciplines, contributors to this volume explore the diverse ways in which European art and cultural..

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Renaissance Theories of Vision

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How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays i..

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The Spiritual Rococo

Exploring for the very first time the global reach and spiritual dimension of Rococo décor, particularly in France, Central Europe, Portugal, Brazil, ..

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Early Gothic Column-Figure Sculpture in France

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Richly illustrated, this book investigates human figural sculpture installed in church portals of mid-twelfth century France. Janet Snyder takes a clo..

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Art as Politics in Late Medieval and Renaissance Siena

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Clearly establishing uniquely Sienese artistic agendas and vocabulary, the essays collected here broaden our understanding of the intersection of art,..

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Living with the Royal Academy

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Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-ninetee..

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Caravaggio

As this collection makes clear, the paths to grasping the complexity of Caravaggio’s art are multiple and variable. Offering new or recently updated i..

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Sculpture and the Museum

Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the..

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Transculturation in British Art, 1770-1930

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Examining painting, photography, illustration, sculpture and architecture from 1770 to 1930, authors explore art that shaped, negotiated, and represen..

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Art and Identity at the Water's Edge

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This collection shows how the marginal territory of the water's edge has been represented in art in different places at various times and how such art..

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