In the course of unmasking 'R.L.', Penny McCarthy scrutinizes devices employed by writers in the Sidney coterie. Among McCarthy's stunning-but solidly supported-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William Smith', was also his 'alias' in life; Shakesp..
In the course of unmasking 'R.L.', Penny McCarthy scrutinizes devices employed by writers in the Sidney coterie. Among McCarthy's stunning-but solidly supported-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William Smith', was also his 'alias' in life; Shakesp..
This book argues that Shakespeare was permanently preoccupied with the brutality, corruption, and ultimate groundlessness of the political order of his state, and that the impact of original Tudor censorship, supplemented by the relatively depoliticizing aesthetic traditions of later centuries, have..
This book argues that Shakespeare was permanently preoccupied with the brutality, corruption, and ultimate groundlessness of the political order of his state, and that the impact of original Tudor censorship, supplemented by the relatively depoliticizing aesthetic traditions of later centuries, have..
Reading Shakespeare through Philosophy advocates that the beauty of Shakespearean drama is inseparable from its philosophical power. Shakespeare’s plays make demands on us even beyond our linguistic attention and historical empathy: they require thinking, and the concepts of philosophy can provide u..
Renaissance Ecopolitics from Shakespeare to Bacon: Cosmopolis Unbound is poised to illuminate the relatively small but burgeoning number of ecocritical studies devoted to this period by showing how the classical concept of the cosmopolis, the harmonious integration of the Order of Nature (cosmos) wi..
Originally published in 1925, Kellner’s work explores the reasons and potential mistakes which may account for the unintelligible passages in Shakespeare such as handwriting, abbreviations, and the confusing of pronouns. This title will be of interest to students of English Literature and Linguistic..
This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naïve surrealism" as the performative model of the early ..
This book asks new questions about how Shakespeare engages with source material, and what should be counted as sources. The essays demonstrate that source study remains an indispensable mode of inquiry for understanding Shakespeare, his authorship and audiences, and early modern gender, racial, and ..