19th Century Modern Art

A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominen..

A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominen..

'This is an interesting and thought provoking book which provides a valuable new perspective on the history of the reception and interpretation of German Romantic art, and in particular the problematic position of the Nazarenes within this narrative. ...there is an increasing understanding of how im..

This title was first published in 2000. London in the nineteenth century saw the founding of the National Gallery, the National Portrait Gallery, the Victoria and Albert Museum and the Whitechapel Art Gallery. Other, less permanent, organisations flourished, among them the British Institution, water..

The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as th..

Through an analysis of nineteenth-century French portraits of men in interior spaces, contributors provide a much-needed rethinking of assumptions that link masculinity, modernity and the public realm. The artists discussed include familiar ones such as David, Delacroix, Manet and Rodin as well as l..

Drawing upon sketches, paintings, and photographs, Intrepid Women is a groundbreaking study that examines the art that women produced while travelling, as well as the circumstances that brought these artists - both amateurs and professionals - far beyond the reaches of the traditional Grand Tour...

Ireland on Show analyses the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland-and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. This study moves beyond museums, to addres..

In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanis..

This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture...

"Is Paris Still the Capital of the Nineteenth Century?" The question that guides this volume stems from Walter Benjamin's studies of nineteenth-century Parisian culture as the apex of capitalist aesthetics. Thirteen scholars test Benjamin's ideas about the centrality of Paris, formulated in the 1930..

John La Farge, A Biographical and Critical Study is the first biography in a century of the American painter, illustrator, muralist, stained-glass artist, and writer. Examining La Farge's career from his youth to his late rebound as a decorative artist-from New York City and New England to Europe to..