Popular Music

America’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ‘n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience. The Intro..

The punk underground has repeatedly insisted that 'anyone can do it', grounding itself in a politics of empowerment that claims to be anarchistic in character. How valid is punk's faith in anarchistic empowerment? Anyone Can Do It explores the cultural history and politics of the punk underground. ..

The punk underground has repeatedly insisted that 'anyone can do it', grounding itself in a politics of empowerment that claims to be anarchistic in character. How valid is punk's faith in anarchistic empowerment? Anyone Can Do It explores the cultural history and politics of the punk underground. ..

This book, first published in 1987, tells the intriguing and culturally complex story of the art school influence on postwar British popular music. Following Romantic attitudes from life class to recording studio, it focuses on two key moments – the early 1960s, when art students like John Lennon an..

Television commercials are now a standard environment through which we experience popular music. The use of popular music in advertising remains a practice that continues to prompt strong and varied responses from media commentators and music fans. This continuing debate is evidence that the commerc..

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, u..

In this book, George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the periph..

In this book, George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the periph..

Bhangra is now understood to refer to the hybrid music produced in Britain by mixing Panjabi folk melodies with western pop and black dance rhythms by British Asian music producers, which is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of..

Bhangra is now understood to refer to the hybrid music produced in Britain by mixing Panjabi folk melodies with western pop and black dance rhythms by British Asian music producers, which is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of..

Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. The volume ..

This edited collection provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through th..