A unique and authoritative guide to the lives and work of prominent contemporary choreographers, this fully updated new edition includes many new names in the field of choreography, alongside those considered masters of the modern age...
A unique and authoritative guide to the lives and work of prominent contemporary choreographers, this fully updated new edition includes many new names in the field of choreography, alongside those considered masters of the modern age...
Fifty Key Theatre Directors covers the life and work of individuals who have been deeply influential to the development of theatre. Its specialist authors combine theory and practice to provide insightful overviews of the individual directors' approaches...
Fifty Key Theatre Directors covers the life and work of individuals who have been deeply influential to the development of theatre. Its specialist authors combine theory and practice to provide insightful overviews of the individual directors' approaches...
This first collection of essays by performance theorist and critic Philip Auslander surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s...
Further Steps 2 brings together New York’s foremost choreographers to discuss the past, present and future of US dance. In a series of exclusive and enlightening interviews, this diverse selection of artists discuss the changing roles of race, gender, and the social environment on their work...
Further Steps 2 brings together New York’s foremost choreographers to discuss the past, present and future of US dance. In a series of exclusive and enlightening interviews, this diverse selection of artists discuss the changing roles of race, gender, and the social environment on their work...
Taking into account theories of gender, performance and performativity within a historical context, this study explores how the Baroque comedia's preoccupation with kingship goes hand in hand with the obsessive representation of women (and women's bodies). The question of royal subjectivity in play..
Taking into account theories of gender, performance and performativity within a historical context, this study explores how the Baroque comedia's preoccupation with kingship goes hand in hand with the obsessive representation of women (and women's bodies). The question of royal subjectivity in play..